The 20/21 Journal

The definitive online resource for accurate information about the design careers of Robin and Lucienne Day has just launched. 

We have been featured in Dwell magazine’s ‘Shops We Love’ feature.

We have returned from our annual pilgrimage to the Milan Furniture Fair. 

twentytwentyone are partnering Phaidon to celebrate the launch of their new book, WA: The Essence of Japanese Design. 

New exhibition: Martino Gamper: design is a state of mind at The Serpentine Sackler Gallery, London. 

A home desk that is discrete and beautifully detailed.  

Geoffrey Fisher's latest design is a clothes brush.

We welcome the arrival of Another Country’s Series Three collection this month.

twentytwentyone are proud to launch two exclusive designs in collaboration with Wallace and Sewell. 

twentytwentyone visited the annual Stockholm furniture fair at the beginning of the month. Above are some edited highlights of our trip. More can be viewed here.

Barber Osgerby’s new show ‘In The Making’ is opening today at The Design Museum, London. 

The term Brutalism was derived from the French ‘Béton brut’, or raw concrete, and the expression became associated with a movement emerging in postwar British architectural offices. 

The Stendig calendar was designed in 1966 by Massimo Vignelli and taken that year into the Design collection of the Museum of Modern Art in New York.

Philip Pearce established Shanagarry Pottery in 1952 and produced hand-thrown earthenware at a time when decorated bone china was commercial. 

Vitra welcome Artek as a new member of the Vitra Family

Geoffrey Fisher's hooks have been well received and to extend the family he’s made sling shots as an exclusive for twentytwentyone. 

Simon Phipp's photography provides a unique perspective and portrays Brutalist architecture in a sensitive, realistic and distinctive manner. 

We have returned from our annual pilgrimage to the Milan Furniture Fair. Inspired and enlightened.

Richard Schultz is no stranger to Knoll. He worked with Harry Bertoia during the development of Bertoia’s iconic collection of wire chairs. 

It is with great sadness we acknowledge the death of James Irvine. twentytwentyone had the great pleasure and honour to know and work with James. 

The Stool 60 was first introduced to the international public at the “Wood Only” exhibition in London in 1933, to rave reviews. 

Tim Fishlock Typeseat print, signed screenprint in an edition of 300. 

Mattiazzi is a company we have been working with since they launched the Branca chair by Industrial Facility.

twentytwentyone will offer for sale a limited quantity of vintage Aalto designs from the architect’s much respected, University of Technology in Helsinki.

twentytwentyone are very pleased to announce their collaboration with Karimoku New Standard and will launch the collection during London Design Festival.

twentytwentyone is proud to present the print series to be produced by The Wrong Shop.

twentytwentyone are extremely proud to have been recognised with a Wallpaper Design Award 2012.

Russel Wright worked as a stage designer in the 1920s though quickly extended his creativity towards multidisciplinary design, forging a highly influential career embracing textiles homewares.

twentytwentyone have secured the adjacent premises on Upper Street, Islington and continue their retail expansion.

twentytwentyone are honoured to be shortlisted for the Elle Decoration British Design Award 2011.

twentytwentyone are proud to announce the launch of Marsotto Edizioni in the UK.

Visit our River Street Showroom Monday – Saturday from 9.30 pm – 5.30 pm.

Visit twentytwentyone in-store at 274 Upper street. Monday – Saturday 10 am – 6 pm Sunday 11 am – 5 pm.